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For more information, please contact Lex Leifheit at 860-685-2806
or lleifheit@wesleyan.edu.
LEGENDARY TRUMPETER & COMPOSER BILL DIXON PERFORMS AT
WESLEYAN’S CFA
FEBRUARY 11 & 12
Middletown, CT, January 26, 2005—Legendary trumpeter
and composer Bill Dixon, a seminal figure in contemporary jazz
and new music, will give his first U.S. solo trumpet performance
in over 15 years during a one-week residency at Wesleyan University’s
Center for the Arts. The residency will culminate in a solo
performance including pianist and MacArthur Fellow Ran Blake
on Saturday, February 12 at 8pm in Crowell Concert Hall. Tickets
are $10 for the general public and $6 for non-Wesleyan students
and seniors. More information is available by calling the box
office at 860-685-3355 or visiting www.wesleyan.edu/cfa. Advance
ticket purchases are recommended.
In conjunction with the residency two additional events, both
open to the public, are also scheduled:
Bill Dixon and the Wesleyan Creative Music Orchestra,
premiering a composition by Dixon, takes place on Friday, February
11 at 8pm in Crowell Concert Hall. During his residency Dixon
will work with a student ensemble to create a new orchestra
piece especially for this performance. Tickets are $5.
A Symposium on the State of Improvised Music with Bill
Dixon, Ran Blake and Francesco Martinelli will take place
in The Russell House on Saturday, February 12 from 10am to 3:30pm.
Admission is free; for more information call Hope McNeil at
860-685-2597 or visit www.weseleyan.edu/music.
Bill Dixon’s music often employs an expansive open feeling
using wide intervals that do not imply a specific key, which
are clothed in dark orchestral backdrops. Over the 50-year course
of his career he has made his mark as a player, organizer, and
educator, whose thoughtful-yet-visceral style is a benchmark
and influence for both emerging and established jazz musicians.
In the early 1960s, Dixon formed a quartet with saxophonist
Archie Shepp. In 1964, he organized the October Revolution in
Jazz, a sold-out festival of new jazz held at the Cellar Cafe
in Manhattan, which showed the world that there was an audience
for this new music. As a result of the festival’s success,
Dixon formed the Jazz Composer's Guild, a musician's cooperative
that included Dixon, Archie Shepp, Roswell Rudd, Cecil Taylor,
Paul & Carla Bley, Sun Ra and others. Dixon’s commitment
to education began early, with his formation of the United Nations
Jazz society in 1959. In 1967, he founded the Free Conservatory
of the University of the Streets, a music education program
for inner-city youth in New York. Beginning in 1968, Dixon taught
at Bennington College in Vermont. In 1973 he founded the Black
Music division, where he remained as professor and chair until
his retirement in 1996.
Dixon has performed and conducted workshops and master classes
around the world. He has recorded for the Savoy, RCA/Victor,
Fore, Black Saint and FMP record labels. His most recent recording
is the landmark limited edition six-CD boxset, Odyssey.
Born in 1925, Dixon grew up in New York City, and currently
lives in Bennington, Vermont. His first studies were in painting,
a work he continues to pursue to this day. For more information,
visit http://www.bill-dixon.com.
Ran Blake has been Chair of the Contemporary Improvisation
Department (formerly Third Stream Department) at the New England
Conservatory of Music since the early 1970s. Born in 1935, Blake
is a recipient of the prestigious MacArthur and Guggenheim Fellowships.
He has recorded over thirty albums as a leader with guests such
as Jaki Byard, Anthony Braxton, Steve Lacy, Houston Person,
and Clifford Jordan on the Soul Note, Hatology, Owl, Arista-Novus
and ESP labels. His recording debut, with vocalist Jeanne Lee,
was released in 1962 on the RCA/Victor label. Blake’s
unique personal style, drawing from diverse musical genres and
inspired by film noir, transcends category.
Ran Blake and Bill Dixon’s performance is co-sponsored
by the Wesleyan University Concert Committee. Upcoming concerts
in February include bluesman Otis Taylor (February 25), Yosuke
Yamashita’s New York Trio (February 26) and Music from
China (February 27).
The Center for the Arts (www.wesleyan.edu/cfa)
is an 11-building complex on the Wesleyan campus that houses
the departments of art and art history, music, theater and dance.
It serves as a cultural center for the region, the state and
New England. The CFA includes the 400-seat Theater, the 260-seat
Cinema, the World Music Hall (a non-Western performance space),
the 414-seat Crowell Concert Hall and the Ezra and Cecile Zilkha
Gallery.
Tickets for Bill Dixon and the Wesleyan Creative Music Orchestra
and Bill Dixon, Solo Trumpet, and Ran Blake, Solo Piano
can be purchased via phone or in person at the box office. The
box office is located on the first floor of the Davenport Campus
Center (222 Church Street). For more information about CFA performances
and events, call (860) 685-3355, or visit www.wesleyan.edu/cfa.
Box Office Phone: (860) 685-3355
Box Office Fax: (860) 685-3935
E-mail: boxoffice@wesleyan.edu
Address: Wesleyan University Box Office, 222
Church Street, Middletown, CT 06459-0001
*Performers and schedule are subject to change.
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