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Selected Photograph Holdings

The English Golden Age and the American Scene (1855-1890)

The DAC's holdings of mid- to late-19th-century English photographs include works by Julia Margaret Cameron (Angel at the Sepulchre, Cherub and Seraph, and 2 portraits of Lord Tennyson); Peter Henry Emerson (2 platinum prints from the Norfolk Broads group, and 60 photogravures); William Lake Price (Don Quixote, galvanotype); Oscar Rejlander (Charity); and Frank Sutcliffe (5, including a carbon print Monday Morning, Whitby Harbor).

American photographs of this era include a portrait by Susan Macdowell Eakins; Civil War photographs by George Barnard (2) and Alexander Gardner (2); photographs taken by William Bell (Perched Rock); Henry Hamilton Bennet (2 Dells of the Wisconsin subjects); Layton Alton Huffman (3); William Henry Jackson (4); Eadweard Muybridge (4 collotypes from Animal Locomotion); William Notman (4); Timothy O'Sullivan (28, including a complete set of works in a Wheeler Survey album, 1871-74); A.J. Russell (1); Charles Savage (9 views on and near the Columbia River); Lewis Wanamaker (20); and Carleton E. Watkins (4, including a mammoth-plate Yosemite view Glacier Point, plus a group of stereos of San Francisco, Yosemite, and gold-rush subjects inscribed by the artist). Edward Curtis's native American subjects (4) are supplemented by a complete set of his albums in Wesleyan's Olin Library.

This information was accurate as of 1997, but since then it has been integrated into the DAC's illustrated collections pages. The museum keeps this legacy page online for the convenience of those who may have bookmarked it or who find it via a link from another site or a search engine, but we recommend that most users consult our current collections pages.

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