A teleportation experiment goes horribly wrong when a handsome scientist accidentally fuses his DNA with that of a house fly. Cronenberg riffs on "Beauty and the Beast" via his own signature brand of gruesome horror and top-notch makeup effects. What results is a deeply moving drama with profound reflections on the frailty of human life and acidic mucous vomit.

Hollywood it ain’t: three avant-garde visionaries muse on murder, melancholy, and malaise. I…DREAMING mingles shadows and scratched emulsion; OUTER SPACE turns film editing violent; pseudo-doc feature LANDSCAPE SUICIDE diffuses murder into landscape (or vice-versa). Sponsored by the Cinema Sorcery Front.

While Academy voters preferred ARGO’s catchphrase-laden triumphs, Bigelow’s controversial follow-up to THE HURT LOCKER confronts us with important, if uncomfortable, reflections. The War on Terror evolves into a slow burn of obsession and frustration, cruelty and compromise, futility and tragedy, culminating in one final breathless action set piece.

The big bad blizzard nixed our last go at this, so let's recap: In arguably their best film as a duo, Dino (sexy but slyly funny) and Jerry (funny but oddly sexy) stumble into cartoonish hijinks involving secret rocket fuel, a superhero named "Vincent the Vulture," and two brassy career gals in their apartment building.