HUMS 621
Melville's Major Works: Fact, Fiction, and Metafiction
Charles Baraw
Course Description | |
From his first book, Typee, a travelogue based on his own captivity by Polynesian cannibals, to his major works, Moby-Dick and Benito Cereno, Herman Melville drew inspiration for his fictions from both his own experiences and reading historical narratives from which he pilfered at will. For Melville, the boundaries between personal experiences, reading, and writing are as fluid as the formal distinctions between fiction and non-fiction, autobiography and novel, or plot and exposition. In Moby-Dick and elsewhere, Melville represents writing as a mode of reading and both become explicit subjects of the story, inseparable from Ahab's quest for the White Whale. What, then, can Melville teach us about reading itself? Can we become better readers under his guidance and instruction? | |
Approach | |
We will read Melville's major works, his source materials, and view two 20th-century adaptations of Billy Budd (the opera by Benjamin Britten and the film by Peter Ustinov) to understand how the relation of reading, writing, and experience informs Melville's philosophical explorations and his critique of 19th-century culture. Papers will include a close-reading (4-5 p.), and one longer (10-15 p.) critical paper, as well as a creative adaptation of one of Melville’s historical sources. If possible, we will take a field trip to Mystic Seaport. | |
Course Readings and Writing Assignments | |
September 13 |
Typee & The First American Literary Sex Symbol: Melville’s Literary Reception |
September 20 |
Typee, Ch. 26-34; “The Story of Toby;” Reviews in Norton (M-D 470-509) |
September 27 |
“Benito Cereno,” (second reading) |
October 4 |
Loomings: Approaching Moby-Dick, Etymology; Extracts; Chapter 1 |
October 11 |
Ishmael Goes to Sea: Chapters Moby-Dick, Chapters 1-17, 93-4, Epilogue |
October 18 |
Enter Ahab: Moby-Dick, Chapters 26-40, 106-9, 127-9 |
October 25 | Ahab’s Rebellion: Moby-Dick, Chapters 30, 32, ,37, 44, 99, 119, 132 |
November 1 |
Ishmael’s Philosophy: Moby-Dick, Chapters 32, 42, 47, 55-7, 74-5, 87-9, 96-9 |
November 8 |
Reading the Inscrutable: “Bartleby” & The Confidence-Man Chapters 1-25 |
November 15 | Metaphysics & Meta-Fictions: The Confidence-Man |
November 29 |
Billy Budd (Norton 103-170) |
December 6 |
Billy Budd (second reading) |
December 13 |
Final Paper: Critical Essay, 10-15 p.p. |
Texts |
Herman Melville, MOBY-DICK (Norton Critical, 2nd Edition, 2001) |