ARTS 624
Black-and-White Photography: Art and Technique
J. Seeley and Sasha Rudensky
| Course Schedule | |
| CLASS 1 | Introduction: Class Structure, Expectations, Syllabus, Materials Pinhole Demonstration, Darkroom Tour Critique: Pre-Existing work Assignment: Roll #1 |
| CLASS 2 | Exposure Review, Reel Loading, Film Development (Theory) Discussion: What and how do I shoot? J. and Sasha's Work Assignment: Roll #2 |
| CLASS 3 | Demonstration: Making contact proofs and prings Reading Negatives LAB (10:30-1:30) Assignment: Roll #3 |
| CLASS 4 | Technical Critique: Face Shot Reading Prints, Burning and Dodging LAB Assignment: Roll #4 and #5: 1 Print (work) |
| CLASS 5 | Brief Tech Critique: Work Print Seeing as the Camera Sees - Visualization LAB Assignment: Roll #6, 1 Final Print |
| CLASS 6 | Critique LAB Assignment: Roll #7 and #8, 1 Final Print |
| CLASS 7 | Night Shooting Multiple-Exposure Techniques Critique LAB Assignment: Roll #9, 1 Final Print |
| CLASS 8 | Photographic Design Critique LAB Assignment: Roll #10, 1 Final Print |
| CLASS 9 | Shooting Field Trip (TENTATIVE)
Assignment: Roll #11 and #12, 1 Final Print |
| CLASS 10 | Critique LAB Assignment: Roll #13, 1 Final Print |
| CLASS 11 | Individual conferences with students Extended lab hours Assignments: Finish Portfolio, 8 Final Prints |
| CLASS 12 | FINAL PORTFOLIO REVIEW |