ARTS 624
Visualization in Black & White: Building a Photographic Portfolio
Sasha Rudensky and J. Seeley
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Please note that this is a tentative syllabus. |
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| Course Schedule | |
| Class 1 | Introduction: Class Structure, Expectations, Syllabus Materials, Reel Loading Critique: Pre-existing work |
| Class 2 | Technical Class: Exposure Review Film Development, Evaluating Negatives |
| Class 3 | Demonstration: Making contact proofs and prints Reading negatives and prints LAB |
| Class 4 | Demo: Burning and Dodging Generating Ideas: What do I shoot? Technical Critique LAB |
| Class 5 | Seeing as the Camera Sees -- Visualization LAB |
| Class 6 | Editing: Creating a Portfolio Critique LAB |
| Class 7 | Photographic Design Critique LAB |
| Class 8 | Ethical and Legal Issues in Photograph Critique LAB |
| Class 9 | Exploring the DAC collection LAB |
| Class 10 | Critique LAB |
| Class 11 | Preparing the Final Portfolio: Individual Conferences with Students |
| Class 12 | FINAL PORTFOLIO REVIEW |
