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Wesleyan
Ph.D. Dissertations in East Asian Music
by Chronological order
(click here to skip to M.A. Theses)
1973
Isaku, Patia Myrel.
An Introduction to Japanese Folk Song.
1974
Gutzwiller, Andreas Benedikt.
Shakuhachi: Aspects of History, Practice and Teaching.
1975
Read, Carolyn B.
A Study of Yamada-Ryu Sokyoku and its Repertoire.
Song, Bang-Song.
Komun’go Sanjo: An Analytical Study of a Style of Korean Folk Instrumental
Music.
1976
Chen, Fu-Yen.
Confucian Ceremonial Music in Taiwan with Comparative References to its
Sources.
1980
Thrasher, Alan R.
Foundations of Chinese Music: A Study of Ethics and Aesthetics.
1982
Cho, Chae-son.
Aspects of melodic Formation and Structural Analysis in Sujecheon.
1983
Tang, Jianyuan.
Shang Musical Instruments.
1990
Wenguang, Wu.
Wu Jinglue's Qin Music in its Context.
1994
Zheng, Su de San.
Immigrant Music and Transnational Discourse: Chinese American Music Culture
in New York City.
1997
Hahn, Tomie.
Sensational Knowledge: Transmitting Japanese Dance and Music.
2001
Hwang, Okon.
Western Art Music in Korea: Everyday Experience and Cultural Critique.
Yu, Hui. Political Economy of Music in China: The Impact of Danwei System
on Luju
2005
Lancefield, Robert C.
Hearing Orientality in (White) America, 1900-1930.
1968
Otto, Steven Walter.
The Structural Influence of Etenraku on the Emergence of Japanese Koto
Music.
1970
Smith, Lenore Ketola.
The Korean Sanjo Taekeum and its Music.
1971
Araki, Tatsuya Kodo.
Kinko-Ryu Shakuhachi Honkyoku.
Chen, Fu-yen.
A Study of Hsi Chü in Taiwan: Its Tradition and Continuation.
Samuelson, Ralph Tenor.
Some Aspects of the Kinko Ryu Honkyoku Including a Study of the Pattern
Units of Kokû Reibo.
1980
Tan, Sooi-Beng.
The Phor Tor Festival, Penang, 1979.
1985
Zhang, Wei-hua.
Theoretical and Cultural Implications of Recent Developments of Ethnomusicology
in China.
1986
Li, Guang-ming.
ArBing's Erhu Style in the Context of his Life and his Musical Environment.
1995
Kwon, Donna Lee.
Sijo-Ch'ang: The Aesthetic of Restraint and Difference in Korean Vocal
Production.
Oba, Junko.
From Miyasan, Miyasan to Subaru: The Transformation of Japanese War Songs
from 1868 to Today.
1999
Novak, David.
The National and the Transnational in the Japanese Underground.
2002
Peluse, Michael.
Folk Revival or Pop Sensation? The Latest Tsugan Shamisen Boom.
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