TIPS ON WRITING
PAPERS IN THE COLLEGE OF LETTERS
Philosophy
Essays | History Essays |
Literature Papers
Philosophy Essays
- Make the primary concern of your
essay the argument[s] in support of particular claims. That doesn't mean
that the style and historical context of the text you are discussing aren't
important--but do not make them the central objects of concern.
- Your essay should have a three-part
structure: opening, middle, conclusion. These parts (which need not be
explicitly identified as such) should approximately comprise:
- Opening: What
is the problem or issue to be examined?
In this essay,
I shall argue that ...
I will argue
for this conclusion by analysis of X's argument.
- Middle: What
are X's argument, premises, and conclusion?
What problems
(if any) are there with X's premises?
What problems
(if any) are there with X's conclusion[s]?
Can X's argument
stand in the light of my objections?
- End: What do
I think about the problem or issue, and what is the argument that supports
my position?
Final conclusion:
I have argued that ... (this will to a large extent recapitulate what you
proposed in your
opening).
- Make sure you seek the strong
points in an argument, not only the weak ones, and present the argument
in full before trying to refute it.
- If you find yourself disagreeing
with an argument of the philosopher you're studying, consider whether you've
understood the argument fully, asking, "Could X accommodate my objection
and sustain the argument? How would X answer my response?"
- If you find one objection to an
argument, don't conclude that the entire argument must be rejected, unless
you can demonstrate that. Perhaps only one premise has to be rethought.
- Be as precise as you can in referring
to the text, making sure that you have accurately represented its ideas.
Beware of making the claim that a brief quotation represents an entire argument
or even the immediate context from which it has been extracted.
- Confront the issues actually presented
in the texts you read, rather than trying to construct the entire argument
on your own--which is not only much harder to do, but also much more susceptible
to serious inaccuracy and misrepresentation. Make use of the arguments
that the philosophers have made before formulating your own arguments (rather
than, say, constructing arguments of your own and forcing the texts to
respond to them).
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History Essays
Most of the guidelines offered above
for philosophy papers also apply to history papers. In addition:
- Take the trouble at the beginning
to define important terms you are using. It is not unreasonable to use
dictionary definitions, as long as you make them only a starting point.
Do not treat a dictionary definition as an established truth, which is
not subject to question.
- If you are using, or arguing with,
terms used by the text, make sure that you understand how the author uses
the terms in question. Don't attempt to criticize an author through the
use of anachronistic terminology.
- Bear in mind that in an historical
essay, you must give priority to evidence and the treatment of evidence,
rather than to the structure of the argument (which is not to say that the
latter is unimportant or can be neglected).
- Don't attempt to generalize about
matters concerning which you may be inadequately informed. Your argument
can be valid without the assertion of its application to the entirety of
medieval history, to a monolithic conception of "Christian thought," and
so on. Retain a focus upon the specific issues raised by the text you are
examining.
- Make sure you have attained the
best understanding you can of how the author whose work you are discussing
conceived of history before undertaking to criticize his/her arguments
or opinions.
- Try to understand and define the
author's/authors' point of view, assumptions, bias: make that part of your
argument.
- What is significant to the person
or persons who have produced this historical document and how would a modem,
20th century reader approach the same or a similar issue?
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Literature Papers
Many of the guidelines already provided
for Philosophy and History papers will apply. In addition:
- Before beginning to develop a
specific argument about the text, ask yourself the following general questions
about it:
- What is the
structure of this text? (There may well be more than one kind of structure -- e.g., plot, poetic structure, historical framework, legend or myth,
etc.)
- What are its
thematic concerns (major and minor)?
- What kinds
of poetic and literary imagery does the text exhibit, and what discernible relations are
there between the imagery and
the themes?
- Is there an
authorial voice within the text? If so, how does it situate itself in relation
to the narrative?
- Does the text
have any linguistic peculiarities? (Admittedly, these are not always easy
to notice beneath the veil
of a translation, and sometimes
translations can lead one to erroneous conclusions.)
- Make sure that the question you
wish to argue is firmly grounded in the text–you may even wish to begin
with a quotation, if there is one that encapsulates the problem you wish
to analyze. Don't choose a large general topic defined for you by some
contemporary notion, in the hope that you can make the literary work under
consideration fit it.
- By all means use "close reading"
to ascertain subtextual patterns of meaning and to obtain clues to verbal
structures that may not be immediately apparent; but don't base an entire
argument on a single passage of text, paying no attention to the rest of
it. And don't leave out of consideration passages of text that may be cited
to refute or oppose your argument.
- Pay attention to context: a line
taken entirely out of context may allow for an interpretation that is altogether
implausible when the line is looked at in its context.
- Don't assume that you must have
a totally comprehensive, globally valid argument in order to write a strong
essay. Be honest in your assessment of the evidence available to you. If
it indicates an ambiguous or negative conclusion, it is better to accept
and present what the logic of argument and evidence dictates than to distort
or twist the evidence, or to manipulate the argument, in order to arrive
at a more "pleasing" conclusion.
- Remember that the study of literature should be "scientific"--that is,
grounded in evidence and argued with logic. Don't take the position that impressions, however insightful,
constitute an argument.
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