
Art History Lecture: Sonja Drimmer
Tuesday, September 16, 2025 at 4:30pm
Boger Hall, Room 112, 41 Wyllys Avenue, Middletown, Connecticut
Tuesday, September 16, 2025 at 4:30pm
Boger Hall, Room 112, 41 Wyllys Avenue, Middletown, Connecticut
Sonja Drimmer, Associate Professor of Medieval Art at the University of Massachusetts Amherst, will discuss the relationship between artificial intelligence and the practice of art history in lecture “Extracting the Past: How the ‘AI’ Industry Exploits Art History and What We Can Do to Stop It.”

AFTERWORDS: entanglement - Okwui Okpokwasili, Joshua Lubin-Levy '06, and Noémie Solomon
Tuesday, September 16, 2025 at 4:30pm
Reading Room, South Gallery, Ezra and Cecile Zilkha Gallery
Tuesday, September 16, 2025 at 4:30pm
Reading Room, South Gallery, Ezra and Cecile Zilkha Gallery
The first event in the AFTERWORDS: entanglement series of public programs will feature Brooklyn-based performer, choreographer, and writer Okwui Okpokwasili online and Center for the Arts Director Joshua Lubin-Levy '06 and writer, teacher, and curator Noémie Solomon, Director of the Institute for Curatorial Practice in Performance, in-person.

Music Department Colloquium: T. Ranganathan - A Centenary Celebration
Wednesday, September 24, 2025 at 4:30pm
Ring Family Performing Arts Hall
Wednesday, September 24, 2025 at 4:30pm
Ring Family Performing Arts Hall
Graduate music student Hansini Bhasker MA '25 and Adjunct Associate Professor of Music and Global South Asian Studies David Nelson PhD ’91 will present a panel discussion on the legacy of the late Wesleyan Artist in Residence and mrdangam (double-headed drum) player T. Ranganathan (1925-1987) in honor of his 100th birthday during the Music Department Colloquium at the start of the 49th anniversary Navaratri Festival at Wesleyan.

Opening Reception for Gary Red Oak O’Neil's Excavations Exhibition
Wednesday, September 24, 2025 at 4:30pm
Ezra and Cecile Zilkha Gallery
Wednesday, September 24, 2025 at 4:30pm
Ezra and Cecile Zilkha Gallery
Gary Red Oak O’Neil presents a solo exhibition of his longstanding ceramic practice, including new works inspired by a current archaeological dig in Glastonbury that unearths material culture that offers glimpses of Wangunk (the Indigenous people of Central Connecticut) interactions with early 17th-century British settlers.