Profile
The chair of the faculty consults regularly with the provost and senior vice president for academic affairs and with the president; coordinates the work of the University's standing committees; establishes the agenda for and presides over the faculty meetings; convenes and presides over the Faculty Executive Committee; is the faculty representative to the Finance Committee of the Board of Trustees; and serves on the Budget Priorities Committee.
Biography
Lisa Dombrowski '92 returned to Wesleyan in 2001 as a professor of East Asian studies. She earned her MA and PhD from the University of Wisconsin-Madison. Lisa's research focuses on postwar and contemporary American independent cinema and East Asian cinema. Her work utilizes archival research to reveal the range of forces that impact the production, distribution, and exhibition of films and that shape our viewing experiences. She offers courses in American independent cinema, East Asian cinema, Hong Kong cinema, and global art cinema and is a recipient of the Binswanger Prize for Excellence in Teaching.
Lisa is the author of The Films of Samuel Fuller: If You Die, I’ll Kill You! (2008), the editor of Kazan Revisited (2011), and the co-editor with Justin Wyatt of ReFocus: The Later Works and Legacy of Robert Altman (2022). She has contributed book chapters to Contemporary Asian Popular Culture Vol. 2: Cultural Dynamics and Global Impact (2024); Screening American Independent Film (2023); Resetting the Scene: Classical Hollywood Revisited (2021); United Artists (2020); Independent Female Filmmakers: A Chronicle Through Interviews, Profiles, and Manifestos (2018); Silent Features: The Development of Silent Feature Films, 1914–1934 (2018); Cinematography (2014); and Widescreen Worldwide (2010). Her articles have also appeared in Film History, Film Quarterly, Film Comment, The Velvet Light Trap, The New York Times, and the Criterion Collection, among others. She is currently researching and developing a digital humanities project on Chinese-language movie theaters and moviegoing in North America.