In 1878, Edward William Nelson set out by dogsled from his Signal Corps posting in St. Michael, Alaska, to explore the Yukon-Kuskowim Delta region. He traveled amongst the indigenous population, mainly Yup'ik and Cup'ik peoples, collecting objects and information for the Smithsonian Institution. Due to his focus on collecting the trappings of everyday life, he reportedly became known as "the man who collected good-for-nothing things." The bone and ivory objects below were collected during this expedition and received from the Smithsonian in 1890. Other holdings from Alaska and the Pacific Northwest derive from various 19th-century private collections - objects that New Englanders brought back as mementos of their travels to "America's Last Frontier."

Alaska and the Pacific Northwest

  • Needle Case

    WUM Ethnology 1039

    Lower Kuskokwim River region, Alaska, prior to 1878
    Ex-collection Smithsonian Institution

    Sewing was a vital skill to Yup'ik and Cup'ik peoples, necessary for creating and maintaining the clothing and equipment that allowed them to hunt marine mammals and flourish in a sub-arctic environment. Women did the bulk of the sewing, but men also carried sewing kits on hunting expeditions to make on-the-spot repairs.

    Nelson collected numerous tools related to sewing, including needle cases like this one. It is made of a section of hollow bird bone with wooden plugs at each end. The differing plug shapes are intentional, likely meant to give the closed case the profile of a fish. On many of the cases Nelson collected, the plugs are explicitly carved into fish heads and tails.

  • Bag Fasteners

    WUM Ethnology 1033, 1035-1037

    Yukon-Kuskokwim Delta, Alaska, prior to 1878
    Ex-collection Smithosnian Institution 
    Range 10 cm to 14.6 cm long

    A woman's sewing bag, or kakivik in Central Alaskan Yup'ik, was rolled up when not in use and secured by means of a rawhide cord and bone or ivory fastener. The cord would be wound round the rolled-up bag, with the attached fastener tucked under the cord to keep it in place. Nelson referred to these bags as "housewives" after the similar kits used by European and American women and well-known to soldiers and sailors responsible for mending their own uniforms.

    These fasteners are from (top to bottom), Cape Vancouver, Sfugunugumut, Askinuk, and the Lower Kuskokwim River region (village unspecified).

  • Needle Case

    WUM Ethnology 1040

    Askinuk, Alaska, prior to 1878
    Ex-collection Smithsonian Institution

    This needle case, or mingquciivik in Central Alaskan Yup'ik, is made from a section of bird bone, most likely a large waterfowl. Bird bones are handy for this purpose because they are naturally hollow. Originally, it would have been plugged at both ends. The remaining plug is trimmed with fur, and the carved designs are enhanced with black pigment.

  • Bag Fastener

    WUM Ethnology 1032

    Nunivak Island, Alaska, prior to 1878
    Ex-collection Smithsonian Institution
    9.2 cm long

    Nunivak is a large volcanic island in the Bering Sea, opposite the Yukon-Kuskokwim Delta. The Nuniwarmiut (residents of Nunivak Island) or Cup'it people speak a variant of Central Alaskan Yup'ik called Cup'ig.

    This bag fastener from Nunivak is carved in the shape of a fish, possibly a salmon, or cayag in Cup'ig. Nelson collected several fasteners shaped like fish, as well as seals and whales. Fasteners were used to secure the soft, compartmentalized bags used as sewing kits, which were rolled up when not in use. A cord would be wound round the rolled-up bag, with the attached fastener tucked under the cord to keep it in place.

  • Story Knife

    1890.1031.1

    Big Lake, Alaska, prior to 1878
    Ex-collection Smithsonian Institution

    Ivory tools such as these were used, mainly by girls, to sketch pictures on the ground to accompany a story or song. This could also be incorporated into a game where others tried to guess the story the artist was illustrating.

    Called a "snow knife" by Nelson - he made his collecting expedition during winter, and thus observed children carving pictures in snowbanks - the name for this tool in Central Alaskan Yup'ik is yaaruin, or "story knife."

  • Horn Spoon

    2004.13.18

    Chilkat, Alaska, prior to 1888
    Ex-collection Abby Johnson Woodman
    Ex-collection M. Gilbert and Beatrice M. Burford
    Gift of James van B. Dresser '63

    Mrs. Woodman, cousin of poet and abolitionist John Greenleaf Whittier, spent the spring of 1888 traveling along the Northwest Coast by rail and boat. She describes her journey in Picturesque Alaska: A Journal of a Tour Among the Mountains, Seas and Islands of the Northwest, from San Francisco to Sitka (Boston: Houghton Mifflin, 1889).

    According to her journal, she obtained this Haida or Tlingit spoon near present-day Haines, AK. It is made from the horn of a mountain goat, and would have traditionally been used to ladle seal and fish oil.

  • Panel Pipe

    1871.217.1

    Alaska, prior to 1871
    Gift of the Missionary Lyceum
    13 cm x 6.5 cm x 2.5 cm greatest dimensions

    The Haida are world-renowned for their carvings made from the unique black argillite mined on Haida Gwaii in British Columbia. This industry took off in the 19th century when, as the trade in sea otter pelts declined, Haida carvers began making pipes, dishes and other objects to sell to European and American travelers.

    Panel pipes, with their complex designs of intertwined figures, became a prized form of collectible sculpture. Though this pipe is technically functional, it does not appear to have been used for smoking. It features Raven, Eagle and other Haida motifs.

  • Halibut Hook

    WUM Ethnology 1697

    Puget Sound, Washington, prior to 1901
    Gift of Albert R. Crittenden

    This halibut hook resembles those recovered from the Makah village excavated at the Ozette site on the Olympic Peninsula. The Makah made these hooks by steaming wooden sticks inside kelp bulbs until they could be bent into the desired shape. The bone barb is lashed on with what is probably cedar bark.

  • Gaming Disk

    WUM Ethnology 140

    Oregon, prior to 1868
    Ex-collection Dr. Simeon Shurtleff
    4.8 cm diameter

    Guessing games are ubiquitous amongst the indigenous peoples of the Pacific Northwest. They are played in a community setting, often accompanied by singing and drumming. The object is for the players to identify which of two or more piles or bundles contains a specially marked disk or reed. Usually several rounds are played, with players or teams accumulating points for correct guesses.

    This wooden disk is painted black along its edge in addition to having carved markings. It would have been hidden amongst unpainted disks beneath piles of shredded cedar bark.