HUMS 643
Art After Auschwitz? Literature, Painting, and Film in Postwar Germany
Lisa Gates
Course Overview | |||||||||||||
In 1947, the German philosopher Theodor Adorno famously declared that writing poetry after Auschwitz was barbaric. But in the decades since the defeat of the Nazis, German artists and writers have continued to produce art, literature and even poetry that engages its struggle as a society to come to terms with its Nazi past and move forward into democratic future. This course examines the works of controversial writers and visual artists in the post-war period as well as works by Holocaust survivors, with particular attention to artistic strategies, contentious aesthetics, and the ways in which artists and their works advance or frustrate Germany’s coming to terms with its Nazi past. Artists discussed include novelists Günter Grass and Christa Wolf, painter Anselm Kiefer, filmmaker Leni Riefenstahl, memoirist Ruth Kluger and cartoonist Art Spiegelman. Students will read and interpret novels, film, photography, poems and paintings in this course, with supplemental critical texts drawn from film, photography, cultural studies, and history. Readings are in English. |
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Required Readings | |||||||||||||
Günter Grass, Cat and Mouse |
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Films (available through e-reserves and blackboard) | |||||||||||||
Erwin Lesser, dir. Mein Kampf (1960) |
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Images (available through e-reserves and blackboard) | |||||||||||||
Anselm Kiefer, selected images (e.g. Germany’s Spiritual Heroes (1973), Occupations (1975), Magarethe (1981), Nuremberg (1981-82), Stairs 1982-83, Sulamite (1983)) |
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Stories and Poems (available through e-reserves and blackboard) | |||||||||||||
Paul Celan, “Death Fugue” |
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Critical Articles (available through e-reserves and blackboard) | |||||||||||||
Andreas Huyssen, “Anselm Kiefer: The Terror of History, the Temptation of Myth” |
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Assignments and Grading | |||||||||||||
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Course Schedule | |||||||||||||
Week 1: Introduction | |||||||||||||
June 26 | Introduction. Historical overview; Riefenstahl, selections from Triumph of the Will, Olympia | ||||||||||||
June 28 | Riefenstahl, Mitscherlich, Mein Kampf | ||||||||||||
Week 2: Breaking the Silence | |||||||||||||
July 3 | Grass, Cat and Mouse, information resources | ||||||||||||
July 5 | Cat and Mouse; Grass, Nobel speech; Buruma | ||||||||||||
Week 3: Fascist Aesthetics? | |||||||||||||
July 10 | Riefenstahl, The Last of the Nuba; Sontag; Luz; Lutz and Collins | ||||||||||||
July 12 | The Wonderful, Horrible Life of Leni Riefenstahl (1999) | ||||||||||||
Week 4: East German Preoccupations | |||||||||||||
July 17 | Wolf, Quest for Christa T.; annotated bibliography due | ||||||||||||
July 19 | Wolf, Quest for Christa T.; "What Remains," "Self-Experiment" | ||||||||||||
Week 5: Representing Memory | |||||||||||||
July 24 | Kiefer, Celan, Huyssen, Saltman | ||||||||||||
July 26 | Kiefer | ||||||||||||
Week 6: Survivor Stories | |||||||||||||
July 31 | Kluger | ||||||||||||
August 2 | Spiegelman; paper due |