A peerless storyteller with great satirical flourish, William Hogarth (1697–1764) brings spectators into the raucous streets and parlors of Georgian London, at once the center of a mighty empire and, in the artist’s view, a den of grifters, social climbers, cynics, and fools. Though his images teem with references to actual personalities and places of 18th-century London, Hogarth’s concerns were more universal than specific. With a balance of humor and sincerity, his art contends with the quandaries of how to hew to a moral path within a competitive, market-driven society; how to build social institutions that serve their communities faithfully; and fundamentally, what kind of society the people of a given time and place ought to build—all questions that demand our attention in the present. This exhibition draws from the Davison Art Collection’s deep holdings of Hogarth’s prints. It features several complete series by Hogarth, including The Harlot’s Progress, The Rake’s Progress, Marriage à la Mode, and The Four Stages of Cruelty, along with many of his other works.

Curated by Miya Tokumitsu, Donald T. Fallati and Ruth E. Pachman Curator of the Davison Art Collection.

Gallery hours: Tuesday through Saturday from 12:30pm to 4:30pm.

This exhibition will be closed from Saturday, October 18 through Tuesday, October 21, 2025; and from Monday, November 24 through Monday, December 1, 2025.